Friday, August 20, 2010

Oil on Wood Study

I have always been interested in the old masters and their various painting techniques. One thing I have been wanting to try was painting on wood. I have previously painted on gessoed panels I prepared myself, but they were to absorbent and I couldn't get the smooth, wet strokes that I like with a fine weave linen canvas.

After researching creative paintings that still embody traditional techniques, I immediately thought back to the wood panel and how it could be used in a more contemporary way. Being a sucker for the beauty of wood, I knew I wanted to make it part of the painting—not just what the painting is on. This use of grain isn't a new idea, but has predominently been used by illustrators, not necessarily fine art.

I just finished this little study to figure out the technical issues and to find out if painting on wood could work for me. I don't know if I'll continue on and develop a large "studio" painting, but I think there are a lot of creative ideas that can evolve from this.

Let me know what you think.

3 comments:

  1. Lovely little head you painted.

    I've been using cherrywood faced plywood boards at both 1/4" & 1/2" thicknesses. Absolutely love them!

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  2. interesting. keep at it and you could definitely have something striking. the wood grain and warmth stand out too much to me.

    I saw your work for the SWA 21under31 last year...I'm in this year's article. Nice to meet another young artist. Keep up the good work.

    www.davidbrucemcleod.com

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  3. nice work, man. the mouth and nose area are especially well drawn. good form there. i wouldn't mind seeing just a few more defined strokes in the vignetting of the hair as well as a controlled few sharp edges in the eyes.

    i'm with david on the warmth of the wood. perhaps a maple or grey elm might work well?

    awesome painting. very creative.

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