I had the privilege to work with Richard Schmid and West Wind Fine Art to film and edit this short video for Richard's recent masterwork, "Abbotsford House, the home of Sir Walter Scott." All the footage here was shot either in Scotland, where he painted several studies from life, or from the American unveiling and exhibition that was held in Wichita this past September. Enjoy!
Saturday, November 17, 2012
Putney Painters - from back in May
I'm finally able to play catch-up from a busy schedule and I wanted to post a couple pictures from a long past Putney Painter day (I've got a lot of posts to write till I catch up with the present!). Half of us painted outdoors underneath a grove of apple trees behind the barn and the other half were inside finishing up paintings that they had started the day before.
Richard was fairly inventive with his landscape and used all the information around him to create the start of a great composition. The orchard was on a slope and he was positioned at the very bottom. There was a good hundred feet of trees and then a clearing where the sun was bursting through.
Richard started with an underpainting that was all about harmonies and large, interesting shapes with the light cutting through the top third (which he wiped out to the white canvas with a paper towel). His underpaintings have maximum randomness in the colors, textures, and transparency . . . this really helps to carry a natural feeling throughout the rest of the painting.
It's obviously been a while since this day so I can't remember all the details past this initial impression, but hopefully the following photos will help you out and give you some inspiration.
Here's a look at what they were doing inside!
Richard was fairly inventive with his landscape and used all the information around him to create the start of a great composition. The orchard was on a slope and he was positioned at the very bottom. There was a good hundred feet of trees and then a clearing where the sun was bursting through.
Richard started with an underpainting that was all about harmonies and large, interesting shapes with the light cutting through the top third (which he wiped out to the white canvas with a paper towel). His underpaintings have maximum randomness in the colors, textures, and transparency . . . this really helps to carry a natural feeling throughout the rest of the painting.
It's obviously been a while since this day so I can't remember all the details past this initial impression, but hopefully the following photos will help you out and give you some inspiration.
Here's a look at what they were doing inside!
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